kicking horse river. yoho. bc....
kicking horse river. yoho. bc. Merry Christmas Eve! by Tanner Wendell Stewart
Processed with VSCO with s3 preset
Tanner Wendell Stewart: Photos
luch 8 by Vladimir Nikolaev
luch 8 by Vladimir Nikolaev
Margo Amp
Vladimir Nikolaev: Photos
Side Stare by Rudi Hulshof
Side Stare by Rudi Hulshof
An early christmas present was this young male Leopard I found earlier this evening.
Rudi Hulshof: Photos
зимний дождь.. by Ed Gordeev...
зимний дождь.. by Ed Gordeev
Санкт-Петербург
Ed Gordeev: Photos
Desert Fantasy by Luis Lyons
Desert Fantasy by Luis Lyons
Desert Fantasy, Tehuacán – Cuicatlán biosphere reserve, Puebla, México.
Luis Lyons: Photos
Merry Christmas by Gürkan Günd...
Merry Christmas by Gürkan Gündoğdu
Hallstatt / Avustria
Gürkan Gündoğdu: Photos
Elvira by Per-Anders Nilsson
Elvira by Per-Anders Nilsson
My Viking princess muse Elvira thing about something… Hope you all Have a great christmas!!!! Jule tide hugs to all
Per-Anders Nilsson: Photos
Double reflet by Andre Villene...
Double reflet by Andre Villeneuve
Double reflet
Andre Villeneuve: Photos
WS by Ivan Gorokhov
WS by Ivan Gorokhov
Used my preset for ACR 2016
My Presets + Video Lessons |
My Instagram | FB
Ivan Gorokhov: Photos
Sunrise Over Lulworth by The N...
Sunrise Over Lulworth by The Narratographer
This morning, I was up with the lark. Sunrise at this time of year is before 6am and in order to be in position for when the soft light appears, you really need to be arriving on location no later than 5.30am. So I found myself, at this ungodly hour, standing on the edge of the sea with nothing for company but the sound of waking waves. The tide was coming in and as I positioned my tripod right by the edge of the sea, I kept one eye on the light and one fixed firmly on the ever-nearing tide.
I wanted to get something low down, giving the images a sense of power and of the sheer size of the bay. Another benefit of positioning your camera low to the ground is that you make the foreground that little more apparent. No one normally looks at what is right before the camera, preferring to let their eye be guided into the frame and led towards the point of focus. But when the camera is positioned low, these little stones become a little more obvious. That was what I wanted, a contrast between the sea and the stone, a wave/particle duality if you will.
I also decided to shoot most of my stuff today in long exposure. For me, long exposure is great at isolating that which doesn’t move. The fact that everything moving is given a softness, everything that doesn’t, by comparison, is given a stronger appearance. This leads to an overall contrast boost and gives static edges a little more grandeur.
I spent a good two hours at Durdle Door this morning, and apart from another pair of photographers and their little dog, I saw no one all morning. Photography is a lonely passion, it is supposed to be. It is a path best trod in solitude.
The Narratographer: Photos
Beyond the horizon by Dany Eid
Beyond the horizon by Dany Eid
Iv’e been using Carl Zeiss Otus 28mm from almost a year & i am always fascinated by the optics quality. the amount of details in this image will blow your mind when you go for a big screen
Dany Eid: Photos
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