Neighbors by Lars van de Goor

Dim the Light, hit the M
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Lars van de Goor: Photos

Kristina by Galina Tcivina

Beautiful sexy lady in elegant red dress. Close up fashion portrait of model indoors. Beauty brunette woman with attractive body in lace lingerie. Female ass in underwear. Closeup naked girl

Galina Tcivina: Photos

Ama Dablam 《巅峰暮色》 by Qiye 赣州柒爺

阿玛达布拉是EBC徒步中最美的雪山，山形与国内川西的贡嘎极为相似，但她形状更为多样百变，山的形态随位置不同而有很大变化，在Namche Bazaar(南池)、Tengpoche(丁伯齐)、Pangboche(潘伯齐)看到的是一高一矮模样，chukhung (朱孔)看到的是山字形三兄弟的模样，而到了EBC终点看到的是金字塔形的完美模样。

Qiye 赣州柒爺: Photos

Ile flottante by Andre Villeneuve

Andre Villeneuve: Photos

Pounce by JH Atala

JH Atala: Photos

Chontelle by Peter Coulson

© Peter Coulson 2016
Photographer Peter Coulson @ www.peter-coulson.com.au
Model: Chontelle
Hair & Make-up: Tiarna Robertson
Assistant: Rozanne Nazar Lighting: Natural light

Peter Coulson: Photos

Stokksnes From Above by Daniel F.

POST PROCESSING
BILDBEARBEITUNG
WEBSITE
FACEBOOK
INSTAGRAM Many techniques used on this image are demonstrated in my brand new set of videos. Just check out my website for more information.
____ Viele der hier angewandten Techniken werden sehr ausführlich in meinen aktuellen Video Tutorials demonstriert. Mehr Infos dazu findet Ihr auf meiner Website.

Daniel F.: Photos

Come Walk With Me by The Narratographer

Feel free to add me on my new Twitter page – twitter.com/PhotosInColour This morning, I was up with the lark. Sunrise at this time of year is before 6am and in order to be in position for when the soft light appears, you really need to be arriving on location no later than 5.30am. So I found myself, at this ungodly hour, standing on the edge of the sea with nothing for company but the sound of waking waves. The tide was coming in and as I positioned my tripod right by the edge of the sea, I kept one eye on the light and one fixed firmly on the ever-nearing tide.
I wanted to get something low down, giving the images a sense of power and of the sheer size of the bay. Another benefit of positioning your camera low to the ground is that you make the foreground that little more apparent. No one normally looks at what is right before the camera, preferring to let their eye be guided into the frame and led towards the point of focus. But when the camera is positioned low, these little stones become a little more obvious. That was what I wanted, a contrast between the sea and the stone, a wave/particle duality if you will.
I also decided to shoot most of my stuff today in long exposure. For me, long exposure is great at isolating that which doesn’t move. The fact that everything moving is given a softness, everything that doesn’t, by comparison, is given a stronger appearance. This leads to an overall contrast boost and gives static edges a little more grandeur.
I spent a good two hours at Durdle Door this morning, and apart from another pair of photographers and their little dog, I saw no one all morning. Photography is a lonely passion, it is supposed to be. It is a path best trod in solitude.

The Narratographer: Photos

***No Worry*** by Joachim Bergauer

www.bergauer.cc

Joachim Bergauer: Photos

Kermit’s Bend by Dylan Toh & Marianne Lim

Hancock Gorge
Karijini National Park I haven’t posted any work from Marianne for quite some time because she doesn’t shoot much any more. Most of her artistic side is channeled through pastels and watercolours these days. But here’s one from probably our last ‘photographic’ holiday together back in 2015!

Dylan Toh & Marianne Lim: Photos

Ksenya by Dmitry Belyaev

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Dmitry Belyaev: Photos

CUIR by Sylvio Testa

Sylvio Testa: Photos