Wishful Thinking by Herman van...
Wishful Thinking by Herman van den Berge
A colorful Milky Way hanging above the mills of Kinderdijk…..wouldn’t that be something. Unfortunately ideal circumstances for such a wonderful sight are not met at this location because of the light pollution in our small country. This (revamped) image shows how it would look if perfect conditions were met. So, this is a composite of 2 different shots blended together but taken at different locations. Best viewing experience on black (click image or press “M”). Facebook : www.facebook.com/hermanvdberge.photography
Instagram : www.instagram.com/herman_van_den_berge/
Herman van den Berge: Photos
The Grand Lady by Timothy Poul...
The Grand Lady by Timothy Poulton
The cast iron Cape Palliser lighthouse has stood on the cliffs here since 1897 – and she’s still shining strong. Climb the 253 steps to see her up close. And spare a thought for the early lighthouse keepers who had to haul oil and kerosene cans up a dirt track before the steps went in!
Timothy Poulton: Photos
Bluetiful Jay by Andre Villene...
Bluetiful Jay by Andre Villeneuve
Andre Villeneuve: Photos
sunset at taft point. yosemite...
sunset at taft point. yosemite. california. by Tanner Wendell Stewart
Processed with VSCO with m5 preset
Tanner Wendell Stewart: Photos
The call of Arctic by Daniel K...
The call of Arctic by Daniel Kordan
Arctic calls. Far there beyond the ocean only Arctic lays. It brings snow storms and cold winds to Lofotens.
D810 + 14-24 focus stacking, lucroit gnd soft 4 stop filter.
Danielkordan.com
Daniel Kordan: Photos
Look on the opposite side of t...
Look on the opposite side of the Tre Cime. by Johannes Hulsch
Johannes Hulsch: Photos
A Sense Of Depth by The Narrat...
A Sense Of Depth by The Narratographer
Sensing depth in an image is not too dissimilar to sensing depth in a person, it all depends on where you’re standing. Perspective is everything and whilst we can all shoot the very same image from the same place, not all images give you a sense of actually being there. That is what I tried to achieve the other day at Portland. I only have one image to post, but it took several in order to make it. I applied a technique known as ficus stacking, whereby you take a series of images with differing focus points from the immediate foreground to the furthest reaches of infinity. This way, you overcome your cameras potential limitation in depth of field. Due to this image having a great amount of depth (distance between the immediate ledge and the sky), I wanted to ensure that everything was pin sharp and to accentuate the feeling of being there. Of course, I was helped along the way with an enormous amount of luck. This truly was one of the best sunsets I have ever witnessed and I was lucky enough to be there at the time. I also was joined by another photographer who spoke with a deep, Devon accent and due to this and the howling breeze, all of our conversations were broken and difficult. Still, I am happy with this image. It has something that I feel many of my images lack, the feeling of every dimension being realised. I hope you like.
The Narratographer: Photos
bloom by Tiger Seo
bloom by Tiger Seo
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Tiger Seo: Photos
Ludmila by Galina Tcivina
Ludmila by Galina Tcivina
Ludmila
Galina Tcivina: Photos
Chaotic Elegance by Lars van d...
Chaotic Elegance by Lars van de Goor
Best Seen on Black, hit the M
Lars van de Goor: Photos
A Golden Morning in Slovenia b...
A Golden Morning in Slovenia by Daniel F.
POST PROCESSING
BILDBEARBEITUNG
WEBSITE
FACEBOOK Many techniques used on this image are demonstrated in my brand new set of videos. Just check out my website for more information.
____ Viele der hier angewandten Techniken werden sehr ausführlich in meinen aktuellen Video Tutorials demonstriert. Mehr Infos dazu findet Ihr auf meiner Website.
Daniel F.: Photos
Zhanna by Sean Archer
Zhanna by Sean Archer
Personal online lessons and video tutorials – outofsight@mail.ru. My own method. I dont use frequency separation, masks and any complicated methods at all. It’s really simple and very fast. 15 minutes of work, and result is good enough for covers!
Sean Archer: Photos