Milky Way over Nugget Point by...
Milky Way over Nugget Point by Jimmy Mcintyre
Image edited using Raya Pro, the Photoshop plugin (www.shutterevolve.com/raya-pro-the-ultimate-digital-blending-workflow-panel-for-photoshop/) I planned this image about 6 months ago, and 45 minutes before the galactic centre was due to be over the lighthouse, the sky was thick with clouds. I didn’t think I’d get the shot. 40 minutes later, the sky was clear in all the right places – I couldn’t believe my luck 🙂
Jimmy Mcintyre: Photos
Fishing – Better Than Be...
Fishing – Better Than Being In An Office by The Blurred Lens .
www.instagram.com/the_blurred_lens/ Was going through some old photos and stumbled on this one. Forgot about this since it was from one of my California trips. I remember taking a ton of shots since I wanted the sun to line up with the waves. Guys I caught it and never really noticed since I got caught up in other photos. Hope you like it.
The Blurred Lens .: Photos
Moment of Being by Peter Cosku...
Moment of Being by Peter Coskun Nature Photography
Alone at the edge of one of the grandest views in the southwest soaking in the brilliance of the milky way arching over Lake Powell. I’ve had many moments where the immense solitude was so overpowering that you could hear yourself think. This was surely one of those moments. It was truly one of the more spectacular moments I have ever experienced. Not only did I get to enjoy this place by myself, but the fact that this was my view while I slept was even more special. To add on to the scene, comet 252P (I believe) became visible through the long exposures on the camera and appears as a green dot above the milky way on the upper right of the image. Also, this was my first real attempt at a milky way panoramic. This is a six shot panoramic using vertical frames.
Peter Coskun Nature Photography: Photos
Sunny flower by Silvia Spedica...
Sunny flower by Silvia Spedicato
Silvia Spedicato: Photos
Provence by Michele Rossetti
Provence by Michele Rossetti
Michele Rossetti Photography
Michele Rossetti: Photos
Blue Pearl by Lorenzo Riva
Blue Pearl by Lorenzo Riva
Aldeyjarfoss, a blue pearl in the vastness of the white Icelandic highlands.
Lorenzo Riva: Photos
Once again Kirkjufellfoss by C...
Once again Kirkjufellfoss by Carlos M. Almagro
This is an image i uploaded about two years ago, after our family trip to Iceland. I think i uploaded before but didn’t see in my gallery so i uploaded again.
Carlos M. Almagro: Photos
The music lover by KarinaFleur
The music lover by KarinaFleur
Music: youtu.be/p4xqn8jdqHQ (Aaron Espe – Making All Things New)
KarinaFleur: Photos
Landscape selfie goofy style b...
Landscape selfie goofy style by Todd Wall
Having a little fun with the much done. I kid because i love y’all.
Todd Wall: Photos
Queenstown Valley, New Zealand...
Queenstown Valley, New Zealand by Ramelli Serge
Queenstown New Zealand. This is a look out that Trey Ratcliff brought us to see. I really like how the sun comes over the valley and the sun rays. This is a photo that I punch in a lot on to get close to the valley. I have the feeling that when you have a big view it’s important to try to compose with the a 50 to 120 lens.
Ramelli Serge: Photos
Wave Particle Duality by The N...
Wave Particle Duality by The Narratographer
This morning, I was up with the lark. Sunrise at this time of year is before 6am and in order to be in position for when the soft light appears, you really need to be arriving on location no later than 5.30am. So I found myself, at this ungodly hour, standing on the edge of the sea with nothing for company but the sound of waking waves. The tide was coming in and as I positioned my tripod right by the edge of the sea, I kept one eye on the light and one fixed firmly on the ever-nearing tide. I wanted to get something low down, giving the images a sense of power and of the sheer size of the bay. Another benefit of positioning your camera low to the ground is that you make the foreground that little more apparent. No one normally looks at what is right before the camera, preferring to let their eye be guided into the frame and led towards the point of focus. But when the camera is positioned low, these little stones become a little more obvious. That was what I wanted, a contrast between the sea and the stone, a wave/particle duality if you will. I also decided to shoot most of my stuff today in long exposure. For me, long exposure is great at isolating that which doesn’t move. The fact that everything moving is given a softness, everything that doesn’t, by comparison, is given a stronger appearance. This leads to an overall contrast boost and gives static edges a little more grandeur. I spent a good two hours at Durdle Door this morning, and apart from another pair of photographers and their little dog, I saw no one all morning. Photography is a lonely passion, it is supposed to be. It is a path best trod in solitude.
The Narratographer: Photos
Morning Yellow by Peter Stewar...
Morning Yellow by Peter Stewart
Early morning in Hoi An, as a cyclist passes one of the classical yellow painted buildings along the riverbanks in the old town. www.peterstewartphotography.com
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Peter Stewart: Photos