Old Torpedo 19′ by Alessandro Di Cicco

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Alessandro Di Cicco: Photos

Inches by Dany Eid

not anymore Princess tower the tallest tower in Marina 🙂 but still Cayan tower is my favorite tower specially when the sunset light hit the curve of the building & produce shadows
however this is a example about a image showing the power of 70-200mm telephoto Nikkor lens, again the big challenge when we are using this heavy weight lens is stability, so i attached the lens to the RSS LCF-10 on TVC-33

Dany Eid: Photos

I have it for the first time by Георгий Чернядьев (Georgy Chernyadyev)

Paid lessons retouching. Live and video tutorials my retouching techniques and toning in Photoshop and Lightroom
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Георгий Чернядьев (Georgy Chernyadyev): Photos

Sonya by Maxim Guselnikov

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Персональное обучение ретуши и обработке по Скайпу. Модель – Соня Валикова
Model – Sonya Valikova Join me on My Facebook Page
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Maxim Guselnikov: Photos

Life’s Foolish Promise by Timothy Poulton

Ancient people recognised the RAINBOW as a sign of peace and of harmony. The ancient Hebrews recognised it as a sign given by the Creator that he wants all living things to live and to flourish in peace and harmony; all clans, all tribes, all colours, all faiths, all nations. That between us there should be no division but mutual respect and appreciation of one another’s gifts as well as of our differences. In this way we enrich one another by reflecting to one another the beauty and magnificence of the Creator…. When the rainbow appears in the clouds I will remember the everlasting promise between me and all living beings on Earth. Location: Reykjanesviti Iceland

Timothy Poulton: Photos

Old and Rusty by Daniel Cheong

Shot in Mauritius.My website: www.danielcheongphotography.com
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Daniel Cheong: Photos

Tanya by Dmitry Belyaev

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Dmitry Belyaev: Photos

Like the old masters by Adrian Sommeling

With this composite I’ve tried to create a feeling of the old masters. I’ve took the photos of me and my son separate from the background.

Adrian Sommeling: Photos

Terra Incognita by wim denijs

Westfjords , Iceland

wim denijs: Photos

The Silent Audience by Marc Adamus

This storm in western Arizona was the real deal. I actually wished I had a time lapse set-up going on while shooting this with my storm chase group because it was one of the most amazingly isolated cells I’ve ever seen, appearing nearly out of clear skies and unfolding before our cameras all the way through its climax an eventual demise completely unobstructed on the horizon. It was also one of those stop-where-you-are-and-compose situations, where we are in an area with our BACKS turned to the spectacular mountains and the storm happens to be in exactly the opposite direction. That’s the way it went down though, so that’s just what we had to work with. A great number of my favorite compositions are made no the fly like that. The processing here was difficult for me. I made this image using ISO 1600 at f/18 and 20 seconds so you can imagine it was already nearly dark enough to accidentally walk right into the unsuspecting cactus nearby. That, combined with the powerful and fascinating glow Chollas have even well after the sun has set lent to me the notion that I should accentuate the glow of the cactus to appear as if the storm itself was illuminating them, joining the two together through a relationship with the light. The resulting image is what you see here, and it absolutely necessitates a good viewing environment for max effect…..or really any effect at all, for those of you looking at this on your phone outside in the middle of the day (you know who you are)…. The thing about darkness like this, and even more so with other night/lighting shots I will show later, is that they don’t have the same and/or desired effect on print. And why should they? I believe prints, in some way, could be considered the leftover of a bygone era which photographers HAD to use in order to display their images big. But not today. I am not creating prints here, I am creating digital photographs in camera and optimizing them using a digital screen. Why then would I adjust and sometimes even rethink the whole look and feel of the image just to print it? I don’t! The print is NOT the performance and it is NOT the final measure of a great image, not for me. It’s not that I don’t enjoy watching a big print come rolling out, I do, and I am of course represented by the world’s largest gallery among other things, but a print is not always a sufficient or effective way of representing today’s photographic medium in large scale. You want to see my prints big? Get a big HD monitor and then you can see them better and get more for your money too. I know, I know….this is a subject worth a debate from all sides and of course there is something valuable in having a real signed piece of paper or metal or whatever in front of you, but I am talking about what looks best here, so in cases like this I’ll be sticking with what shows off my art the best, and that is the only thing that matters. Further notes: Processing involved some minor warping and perspective blending to get all the separation I wanted, not to mention the cloning of one small cactus. I believe the image is representative of what I captured and felt both at this exact moment, however, and it is certainly something that evokes the essence of the place for me.

Marc Adamus: Photos

Vestrahorn by Rune Hansen

Rune Hansen: Photos

Greenland on Fire by Iurie Belegurschi

Took this photo during our Greenland Sailing photo workshop in Scoresby Sound. We still have few spots available next summer: iceland-photo-tours.com/greenland-sailing-photo-tour/

Iurie Belegurschi: Photos