American Kestrel by Milan Zygm...
American Kestrel by Milan Zygmunt
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Milan Zygmunt: Photos
El Lechero by Iván Maigua
El Lechero by Iván Maigua
Iván Maigua: Photos
The Race Is On by Jake Olson S...
The Race Is On by Jake Olson Studios
My Newest Photoshop Action Detail Brush is finally here and it’s free with purchase of my latest tutorial Jake Olson Masterclass! For details visit Jake Olson Webinars through this link! -> JAKE OLSON STUDIOS MASTERCLASS
Jake Olson Studios: Photos
autumn is coming by guerel sah...
autumn is coming by guerel sahin
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guerel sahin: Photos
In Balance by Nathaniel Merz
In Balance by Nathaniel Merz
Nathaniel Merz: Photos
Kamokuna Drips by Bruce Omori
Kamokuna Drips by Bruce Omori
Along with my bruddahs and world class photographers, Tom Kualii, Miles Morgan, and Ryan Dyar, we will be offering an EXTREME LAVA WORKSHOP, an all-encompassing shooting adventure like none ever offered before! If you’ve been wanting fiery images of molten lava for your portfolio, this is THE opportunity of a LIFETIME… Whether it’s the grand landscape of new land being created or intimate abstracts of lava’s textures that you desire, we will get you into position to photograph this incredible and mesmerizing spectacle of nature from every perspective possible, by land, sea, and air. A 5 day workshop filled with nothing but LAVA. The ultimate LAVA JUNKIE experience!!! Ground transportation, helicopter and lava boat charters are included, as well as delicious local cuisine, deluxe accommodations, and comic relief! The very low instructor to client ratio will ensure everyone receives as much instruction as they desire, and not only will everyone walk away with an incredible collection of imagery, but a set of new friendships forged on the hot lava fields of the island of Hawaii! For more information on this very exclusive once in a lifetime opportunity, please email us: info@extremeexposure.com. Mahalo! The image above, of molten lava dripping into the sea, was taken at the new Kamokuna ocean entry within the Hawaii Volcanoes National Park.
Bruce Omori: Photos
Sunrise by Martin Worsøe Jense...
Sunrise by Martin Worsøe Jensen
Sunrise shot. Husodde, Denmark.
Martin Worsøe Jensen: Photos
In the morning mist by Peter Z...
In the morning mist by Peter Zajfrid
Misty morning from Plač tower, Slovenia
Peter Zajfrid: Photos
the remaining by iD’s
the remaining by iD’s
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iD’s: Photos
Faroe island cabin by Michiel ...
Faroe island cabin by Michiel Pieters
Re-edit of a photo i posted before
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Michiel Pieters: Photos
A Dying Sunjpg by The Narratog...
A Dying Sunjpg by The Narratographer
DON’T FORGET TO SUBSCRIBE TO MY YOUTUBE CHANNEL If you want to learn how I process my images, my workflow and lighting techniques. Note to self – never go to Portland without a coat. Yep, that is exactly what I did last night and whilst the weather inland was quite warm and calm, the situation at Portland was very different. The winds roared, the sea swelled and as I stood on the edge of the country, I could feel the full force of God’s breath. It was freezing, but I was determined to get some decent shots. And I think I did. I don’t normally like going to the same place on consecutive trips, but everywhere else had a forecast for bright blue skies and Portland was the only place that was reported to have any cloud cover. As I am sure you are all aware, there is nothing worse for a photographer than bright, featureless skies. So, I headed to Portland, minus my coat. Anyway, I started off over the far side of the lighthouse with the colour in the sky behind me. I thought to myself that I would slowly make my way from there to the far side of the lighthouse where I would then capture the setting sun. Although the sunset wasn’t the best I have ever seen, I have certainly witnessed a lot worse. There was a hint of orange, magenta and red in this dying sun and as it mades it way beneath a distant horizon, it bled into the nearby clouds. The problem is that at this time of year, the sun sets way over to the right and it is almost impossible to get it into shot at Portland. So, I decided to do a few panoramas. Six shots, with an incredibly close focus point to give the image a sense of immediacy. As I fired off shot after shot, all 6 seconds long, I watched a pair of seagulls fighting in the sea. Locked in battle, they bobbed upon the roaring tide, wings flapping and beaks snapping. Eventually, just as I finished my panorama, the angry sea carried them into the rocks and out of sight. For a moment I was worried, worried that the sheer weight of the swell would have killed them as it knocked them into the coast. But a few moments later my fears were quashed and I watched them both fly off towards the lighthouse for round two. The image, I think, was a success.
The Narratographer: Photos