Sweet Friends by Lisa Holloway

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Lisa Holloway: Photos

Red and yellow mushroom by Andre Villeneuve

Andre Villeneuve: Photos

Morning work-out )) by David Dubnitskiy

David Dubnitskiy: Photos

Luminance by Ole Henrik Skjelstad

My first pano with the K-1. Four 15mm horizontals. Ringerike, Norway.

Ole Henrik Skjelstad: Photos

The Golden Church by Daniel F.

POST PROCESSING
BILDBEARBEITUNG
WEBSITE
FACEBOOK Hey guys, this is my winning photo at the TRIERENBERG SUPER CIRCUIT 2017. It won a gold medal in the panorama category. I’m really happy about it and thats the reason why I want to share it again. I wish you all some nice easter holidays with your friends and families. Many techniques used on this image are demonstrated in my brand new set of videos. Just check out my website for more information.
____ Viele der hier angewandten Techniken werden sehr ausführlich in meinen aktuellen Video Tutorials demonstriert. Mehr Infos dazu findet Ihr auf meiner Website.

Daniel F.: Photos

Fuel Injected Suicide Machine by Timothy Poulton

I’ve been a massive fan of the Mad Max movies and watched them 100’s of times growing up and this classic road into El Chalten always reminds me of the scene when the Knight Rider is hurtling down the road. One day I’m going to find a local with a hot rod and capture something just as cool.

Timothy Poulton: Photos

Bowl of life by Dylan Toh & Marianne Lim

Lake Oberon Tasmania Over the Easter weekend, I’ve had the time to stitch this exposure blend pano together which was a real pain to put together with lots of warping and cloning to get it into a rectangular frame but I think this final result is representative of where I was standing in a small chute filled with amazing flora.

Dylan Toh & Marianne Lim: Photos

Passenger by Stijn Dijkstra

Video: youtu.be/JV4ZjRMsOlo
It’s our choices that matter in the end. Not wishes, not words, not promises. If you like my work, check out my other pages:
Youtube & Website & Facebook & Instagram

Stijn Dijkstra: Photos

Luna Park by Timothy Poulton

So I decided to sell all my Nikon gear and change over to the Medium Format world with the new FujiFilm GFX 50s, and my first chance testing was on tour in Patagonia with probably to most photographic mountain peaks anywhere. I have a bit more fine tuning to do I’m super stoked with the results and can breathe a sigh of relief knowing I made the right decision. I’m using the Fujifilm GF 32-64mm f/4 R LM WR zoom lens exclusively on this tour; the only zoom lens launched alongside the camera. With only the one lens I’ve had a few issues with wide angle scenes, nothing a pano kit can’t rectify, and I’m keen to pick up the 23mm once released. Size-wise, the Fujifilm GFX 50S is very similar to a full-frame DSLR camera despite having a larger sensor and new, robust G lens mount. It is comparable in size to my old Nikon D810, which means that it’s larger than many other mirrorless cameras but also surprisingly small and light-weight for a medium format camera. After only a few hours I was impressed with its excellent physical controls and design, it felt great in hand and secure moving around on the tripod. At first, I was a little concerned with the 3.2-inch touchscreen LCD monitor, it just looked a little flimsy, after extensive use the tilting mechanism is quite robust and durable. The display is quite reflective, though, and can be difficult to view in bright light; however, you can tilt the screen to help alleviate this. The touchscreen tilts 90-degrees upwards, 45-degrees downwards and 60-degrees toward the right, perfect for serious yoga-pose photography. Haven’t taken the GFX out to test its weather resistance except for a few subzero mornings, but as winter approaches and weather deteriorate, I’ll keep you posted on how it fairs. Stitching panoramic images has been my thing for the last five years, and I didn’t want to compromise on my style so when I heard they had an X-Pan feature, I was super excited. Image above is captured using the 65:24 format, single frame. Although slightly soft at the far edges I’m keen to get this printed at 2 metres to see how it stacks up with similar 4-5 frame stitched images. Plenty more thoughts to come so stay tuned.

Timothy Poulton: Photos

Pierced Pines by Lars van de Goor

Dim the Light, hit the M
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Lars van de Goor: Photos

Until The End by videophotoart com

videophotoart com: Photos

Good Morning! by Martin Podt

Good Morning!, the Netherlands. Facebook | Instagram | Fine Art America

Martin Podt: Photos